Birth of bliss

Bliss, in its primordial essence, first emerged from the flute sound of Nandalala, not as a product of mere sensory interaction, but as the transcendent harmony resonating beyond the empirical realm. Sense objects, ever fleeting and temporal, offer only illusions—mirages of satisfaction—devoid of the eternal substance they seem to promise. In contrast, the sound of Krishna’s flute has manifested in this temporal sphere as the mahamantra, a divine call that, when heeded, draws the soul away from the false exterior toward the interior realm of truth.

This journey is one of pratyahara, where the conscious mind retracts its dependence on the mutable and turns inward toward the immutable essence, the "self of the self." In this dialectical movement, the finite being reconciles with the infinite—Akhilatma Bhuta, Sri Krishna, who is both the totality of being and its transcendence. Through this inward turn, Krishna calls all to dissolve the fragmented self into the absolute unity of His being, the true Self. At the heart of this inwardness lies Ananda Kunda, a reservoir of bliss that surpasses all finite joys, representing the ultimate synthesis of the individual self with the universal spirit—where true fulfillment and eternal bliss are found.

Ramarasa

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